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東アジア文化交渉研究-第 5号 >

このアイテムの引用には次の識別子を使用してください: http://hdl.handle.net/10112/6141

タイトル: 日本中世の古記録から見る中国画人・絵画の記載
タイトル(その他言語/よみかな): A Study of Chinese Painters and Paintings in View of Japanese Medieval Records
著者名: 寿, 舒舒
キーワード: 唐物
往来物
古辞書
御行記
御成記
論文発行年月日: 2012年2月1日
出版者: 関西大学文化交渉学教育研究拠点(ICIS)
雑誌名: 東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies
巻: 5
開始ページ: 473
終了ページ: 488
抄録: Along with the deepening cultural communication between Japan and China, the exchange of painting and calligraphy has been the subject of much academic scrutiny. This paper will study Chinese painters and paintings through an historical examination of the exchange between Japan and China based on medieval Japanese records. The careful analysis of these records of Chinese painters and paintings will reveal the conditions of medieval cultural and commercial communication between China and Japan, the relevance of Chinese artists in Japan and, most importantly, illuminate the cultural impact and integration of Chinese and Japanese ideology. This paper develops the idea of reciprocity in trade and the exchange of thought between China and Japan. The spread of painting as a form of art differs from that of language and literature as the latter relies upon the use of words with strong historical and regional associations. Therefore, with the introduction of Chinese culture to Japan through writing, the Japanese encountered formidable diffi culties in absorbing elements of Chinese culture into their own as many concepts indigenous to China embodied in language eluded direct translation into Japanese. Paintings, however, are not only free from the restriction of language, they are also more subjective than writing, which means people can appreciate this form of art regardless of cultural background.
資料種別: Article
URI: http://hdl.handle.net/10112/6141
ISSN: 1882-7748
シリーズ番号/レポート番号: Vol.5
出現コレクション:東アジア文化交渉研究-第 5号

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